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      <image:title>Video - Murmur 1 and 2</image:title>
      <image:caption>Non-erotic voyeurism. Made in Italy.</image:caption>
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      <image:caption>2021, Looped Clip from Trading Spaces</image:caption>
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      <image:title>Video - Silver Liz - Prelude Trailer</image:title>
      <image:caption>Promo video for Chigago based Silver Liz</image:caption>
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      <image:caption>Non-erotic voyeurism. Made in Italy.</image:caption>
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    <loc>http://www.caseyfletcher.com/publicworks</loc>
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    <lastmod>2024-03-27</lastmod>
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      <image:title>Public Works - Planter Benches and Shelves</image:title>
      <image:caption>2020</image:caption>
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      <image:title>Public Works - Planter Benches and Shelves</image:title>
      <image:caption>2020</image:caption>
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    <lastmod>2021-03-16</lastmod>
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  <url>
    <loc>http://www.caseyfletcher.com/words/2016/3/7/interest-9dl8w</loc>
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    <priority>0.5</priority>
    <lastmod>2022-05-12</lastmod>
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      <image:title>Essays - Louis CK and After the End of Art (with preface)</image:title>
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  <url>
    <loc>http://www.caseyfletcher.com/words/2021/3/16/2018-hunter-invitational-review</loc>
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    <priority>0.5</priority>
    <lastmod>2021-03-16</lastmod>
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      <image:title>Essays - 2018 Hunter Invitational Review</image:title>
      <image:caption>A view of (left to right) Sisavanh Phouthavong, John Douglas Powers at the 2018 Hunter Invitational</image:caption>
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      <image:title>Essays - 2018 Hunter Invitational Review</image:title>
      <image:caption>Mindy Herrin, Trophy, 2018</image:caption>
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  <url>
    <loc>http://www.caseyfletcher.com/bodies</loc>
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    <lastmod>2024-03-27</lastmod>
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      <image:title>Bodies - Cheese</image:title>
      <image:caption>2024, Crayola Colors of the World, gesso, house paint, charcoal, on panel 41.75” x 49.75”</image:caption>
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      <image:title>Bodies - Cheese</image:title>
      <image:caption>2024, Crayola Colors of the World, gesso, house paint, charcoal, on panel 41.75” x 49.75”</image:caption>
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    <image:image>
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      <image:title>Bodies - Ulysses</image:title>
      <image:caption>2022, Crayola Colors-of-the-World Crayons on paper 41.75” x 49.75”</image:caption>
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      <image:title>Bodies - Henry Smith (Paris Texas)</image:title>
      <image:caption>2023, Pine, Tar, Roots 30” x 20” x 86”</image:caption>
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      <image:title>Bodies - Dreams of Honey</image:title>
      <image:caption>2021, Ceramic, Steel, Soil Dreams of Honey</image:caption>
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      <image:title>Bodies - Untitled (Red-Man)</image:title>
      <image:caption>2022, found clothing, steel lath varying dimensions</image:caption>
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      <image:title>Bodies - Maytag Man</image:title>
      <image:caption>2020, Bronze</image:caption>
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      <image:title>Bodies - Dreams of Honey</image:title>
      <image:caption>2021, Ceramic, Steel, Soil In the film Fried Green Tomatoes’ (1991), the white female main character is shown pulling a piece of honeycomb from an active beehive unscathed in a gesture meant to illustrate her freedom, agency, and fearlessness in the 1920s American south. Dreams of Honey depicts Big George, a black supporting character, dreaming of attempting the same feat.</image:caption>
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  <url>
    <loc>http://www.caseyfletcher.com/extramission</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2026-02-23</lastmod>
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      <image:title>Extramission - Wimper</image:title>
      <image:caption>2026, Cement, steel, pine</image:caption>
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    <image:image>
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      <image:title>Extramission - Wimper</image:title>
      <image:caption>2026, Cement, steel, pine</image:caption>
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      <image:title>Extramission - Wimper</image:title>
      <image:caption>2026 Cement, steel, pine</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/54c0115ae4b0a4188187f7c8/1711574053460-BGEBBKZ6HKHP2W9I2OVZ/Ed+Coy+Paris+TX+Henry+Smith+Texarkana+AR+2.jpg</image:loc>
      <image:title>Extramission - Ed Coy &amp; Henry Smith</image:title>
      <image:caption>2023, 2024, Pine, roots, tar, nails</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/54c0115ae4b0a4188187f7c8/1711574055128-FSANCSD4L0QK3WQ394ZK/McManus.jpg</image:loc>
      <image:title>Extramission - Frank McManus (Minneapolis, MN)</image:title>
      <image:caption>2024, Plywood, housepaint, laser print</image:caption>
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    <image:image>
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      <image:title>Extramission - Emmett</image:title>
      <image:caption>2024, Pine, tar, roots, nails</image:caption>
    </image:image>
    <image:image>
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      <image:title>Extramission - Diana Bryant (Boston, MA)</image:title>
      <image:caption>2024, Plywood, house paint, laser print</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/54c0115ae4b0a4188187f7c8/1711574056122-K6I9D7F2UBDASOMSWZUF/Will+Brown+Omaha+Thomas+Smith+Roanoke.jpg</image:loc>
      <image:title>Extramission - Will Brown &amp; Thomas Smith</image:title>
      <image:caption>2024, Pine, tar, roots, nails</image:caption>
    </image:image>
  </url>
  <url>
    <loc>http://www.caseyfletcher.com/inflammation</loc>
    <changefreq>daily</changefreq>
    <priority>1.0</priority>
    <lastmod>2025-12-26</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/54c0115ae4b0a4188187f7c8/1766780372538-JMS20C73Y6OEQ0WEQQDW/image-asset.png</image:loc>
      <image:title>Inflammation - Peanut</image:title>
      <image:caption>2025, Basswood, Steel</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/54c0115ae4b0a4188187f7c8/1766780372538-JMS20C73Y6OEQ0WEQQDW/image-asset.png</image:loc>
      <image:title>Inflammation - Peanut</image:title>
      <image:caption>2025, Basswood, Steel</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/54c0115ae4b0a4188187f7c8/1766780419221-C6KHNVE4BNKL85IR3KND/peanut+4.png</image:loc>
      <image:title>Inflammation</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/54c0115ae4b0a4188187f7c8/1766780425867-QRBQ7LF4PUB71CRJK1U4/peanut+5.png</image:loc>
      <image:title>Inflammation</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/54c0115ae4b0a4188187f7c8/1711574371777-NUNTSXL40K3AJEUAKO7X/image-asset.jpeg</image:loc>
      <image:title>Inflammation - Inflammation VIII</image:title>
      <image:caption>2024, Cast aluminum</image:caption>
    </image:image>
    <image:image>
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      <image:title>Inflammation - Inflammation IV</image:title>
      <image:caption>2022, Acrylic on Canvas</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/54c0115ae4b0a4188187f7c8/1638366402858-ZAPDLBAKVDREGJ9KULAQ/image-asset.png</image:loc>
      <image:title>Inflammation - Dreams of Honey (detail)</image:title>
      <image:caption>2021, Ceramic, Steel, Soil In the film Fried Green Tomatoes (1991), the white female main character is shown pulling a piece of honeycomb from an active beehive unscathed in a gesture meant to illustrate her freedom, agency, and fearlessness in the 1920s American south. Dreams of Honey depicts Big George, a black supporting character, dreaming of attempting the same feat.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/54c0115ae4b0a4188187f7c8/1646335844886-6YMTE29KYUS4SQZ2YNAR/image-asset.png</image:loc>
      <image:title>Inflammation - Inflammation V</image:title>
      <image:caption>2022, Oil Pastel on Paper The Inflammation series draws attention to the shared imagery and emotions between themes of racial caricature, racially motivated violence, and Casey’s personal experience as a black man with an anaphylactic allergy. Engorged lips, swollen eyelids, and contorted expressions blur the line between the immune response of anaphylaxis and the wounds of the lynch mob.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/54c0115ae4b0a4188187f7c8/1634588332760-WU8PYRUNQ89VEW7EEDG8/Anaphylaxic1.png</image:loc>
      <image:title>Inflammation - Inflammation II</image:title>
      <image:caption>2021, Oil Pastel on Paper The Inflammation series draws attention to the shared imagery and emotions between themes of racial caricature, racially motivated violence, and Casey’s personal experience as a black man with an anaphylactic allergy. Engorged lips, swollen eyelids, and contorted expressions blur the line between the immune response of anaphylaxis and the wounds of the lynch mob.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/54c0115ae4b0a4188187f7c8/1634588259069-JMSYRKGYXGAMG8VFTQXY/image-asset.png</image:loc>
      <image:title>Inflammation - Inflammation I</image:title>
      <image:caption>2021, Oil Pastel on Paper The Inflammation series draws attention to the shared imagery and emotions between themes of racial caricature, racially motivated violence, and Casey’s personal experience as a black man with an anaphylactic allergy. Engorged lips, swollen eyelids, and contorted expressions blur the line between the immune response of anaphylaxis and the wounds of the lynch mob.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>http://www.caseyfletcher.com/faith-practice</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2026-01-14</lastmod>
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      <image:title>Faith &amp; Practice - Greccio Cross</image:title>
      <image:caption>2024, Cast Bronze</image:caption>
    </image:image>
    <image:image>
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      <image:title>Faith &amp; Practice - Greccio Cross</image:title>
      <image:caption>2024, Cast Bronze</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/54c0115ae4b0a4188187f7c8/1766779618575-8QDE2Q9BKVBMVY2LRWET/greccio+cross+wood.png</image:loc>
      <image:title>Faith &amp; Practice - Greccio Cross</image:title>
      <image:caption>2025, Poplar</image:caption>
    </image:image>
    <image:image>
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      <image:title>Faith &amp; Practice - Our Best Efforts</image:title>
      <image:caption>2021, Mixed Media Our Best Efforts is composed of 79 hand cut parts removed from an exploded parts diagram, which are then painstakingly reassembled into a complete carburetor. The piece is a reflection on the nature of literalism, particularly when interpreting the Bible.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/54c0115ae4b0a4188187f7c8/1638202864778-I4O1S2V7AILHRWQEVFNQ/image.jpg</image:loc>
      <image:title>Faith &amp; Practice - Biblia Pauperum (Genesis)</image:title>
      <image:caption>2021, Steel</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/54c0115ae4b0a4188187f7c8/1638202616664-6PVZWIVUZ8L0BFYTZ4SC/image-asset.png</image:loc>
      <image:title>Faith &amp; Practice - Untitled (Flag Waver)</image:title>
      <image:caption>2021, Mixed Media The pennant at the top of Untitled (Flag Waver) when in motion alternates between two halves of a mantra: Breathe In, Breathe Out. This essential and foundational message is brought to the viewer by an over-engineered and notably inelegant mechanism. This tension speaks to the convoluted avenues contemporary truisms are brought to our collective attention.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/54c0115ae4b0a4188187f7c8/1617821802065-818CBCHZ7NSGNB4FHPV0/image.jpg</image:loc>
      <image:title>Faith &amp; Practice - Jesus Laughing</image:title>
      <image:caption>2021, Laser Etched Paper A laser engraver is used in these portraits to capture the sublime qualities of the depicted Biblical figures. The power and invisibility of the laser is otherworldly, almost magic, akin to the story in the Old Testament book of Daniel. The undulating lines appear to rise, speaking further to sublimation, and mirror the stacked lines of radio signals emanating from pulsars (super-dense stars emitting enormous levels of energy).</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/54c0115ae4b0a4188187f7c8/1617853697056-GTYWB3H101MV12EPOFI8/image-asset.jpeg</image:loc>
      <image:title>Faith &amp; Practice - St. Teresa in Ecstasy</image:title>
      <image:caption>2021, Laser Engraved Paper A laser engraver is used in these portraits to capture the sublime qualities of the depicted Biblical figures. The power and invisibility of the laser is otherworldly, almost magic, akin to the story in the Old Testament book of Daniel. The undulating lines appear to rise, speaking further to sublimation, and mirror the stacked lines of radio signals emanating from pulsars (super-dense stars emitting enormous levels of energy).</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/54c0115ae4b0a4188187f7c8/1615920214946-QLP23ZMVSKG98F7TLNGI/image-asset.png</image:loc>
      <image:title>Faith &amp; Practice - Sunday School Painting</image:title>
      <image:caption>2018, Egg tempera</image:caption>
    </image:image>
    <image:image>
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      <image:title>Faith &amp; Practice - Who do You Say that I am?</image:title>
      <image:caption>2023, Salt, Steel, Pine</image:caption>
    </image:image>
  </url>
  <url>
    <loc>http://www.caseyfletcher.com/green-mountain-giants</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2024-10-27</lastmod>
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      <image:title>Green Mountain Giants - Green Mountain Giant II</image:title>
      <image:caption>2024, Oil on panel 7” x 9”</image:caption>
    </image:image>
    <image:image>
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      <image:title>Green Mountain Giants - Green Mountain Giant II</image:title>
      <image:caption>2024, Oil on panel 7” x 9”</image:caption>
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      <image:caption>2024, Oil on panel 24” x 24”</image:caption>
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      <image:title>About</image:title>
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      <image:title>American Sisyphus - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
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      <image:title>American Sisyphus - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
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      <image:title>American Sisyphus - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
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      <image:title>American Sisyphus - Original Wisconsin State Journal article, 1925</image:title>
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      <image:title>American Sisyphus - Chamberlin Rock during removal, August 2021</image:title>
      <image:caption>Plaque commemoration T.C. Chamberlin has been removed, currently in UW archives.</image:caption>
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